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	<title>Comments on: Undercover Boss &#8212; good and bad</title>
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	<link>http://www.davosnewbies.com/2010/02/07/undercover-boss-good-and-bad/</link>
	<description>A year-round Davos of the mind, written since 1999 by Lance Knobel</description>
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		<title>By: KPD</title>
		<link>http://www.davosnewbies.com/2010/02/07/undercover-boss-good-and-bad/comment-page-1/#comment-366724</link>
		<dc:creator>KPD</dc:creator>
		<pubDate>Tue, 09 Feb 2010 04:19:50 +0000</pubDate>
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		<description>The UK version (Back to the Floor) had a Wedgwood exec and a Heathrow manager, among others--I felt sorry for the latter (impossible job). The show was really well done (natch).</description>
		<content:encoded><![CDATA[<p>The UK version (Back to the Floor) had a Wedgwood exec and a Heathrow manager, among others&#8211;I felt sorry for the latter (impossible job). The show was really well done (natch).</p>
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		<title>By: Lance Knobel</title>
		<link>http://www.davosnewbies.com/2010/02/07/undercover-boss-good-and-bad/comment-page-1/#comment-366658</link>
		<dc:creator>Lance Knobel</dc:creator>
		<pubDate>Mon, 08 Feb 2010 15:45:21 +0000</pubDate>
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		<description>The US Undercover Boss comes from a British producer, Stephen Lambert. I&#039;m unsurprised he tried the format out in the UK first. 

Clocking Off was brilliant, and didn&#039;t have the fiction of corporate hierarchies implicit in Undercover Boss (now that Larry has seen the truth, of course everything will be OK). Going further back, there&#039;s also Alan Bleasdale&#039;s Boys from the Blackstuff.</description>
		<content:encoded><![CDATA[<p>The US Undercover Boss comes from a British producer, Stephen Lambert. I&#8217;m unsurprised he tried the format out in the UK first. </p>
<p>Clocking Off was brilliant, and didn&#8217;t have the fiction of corporate hierarchies implicit in Undercover Boss (now that Larry has seen the truth, of course everything will be OK). Going further back, there&#8217;s also Alan Bleasdale&#8217;s Boys from the Blackstuff.</p>
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		<title>By: Nico Macdonald</title>
		<link>http://www.davosnewbies.com/2010/02/07/undercover-boss-good-and-bad/comment-page-1/#comment-366632</link>
		<dc:creator>Nico Macdonald</dc:creator>
		<pubDate>Mon, 08 Feb 2010 09:45:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.davosnewbies.com/?p=2661#comment-366632</guid>
		<description>It seems some version of &lt;a href=&quot;http://www.channel4.com/programmes/undercover-boss/&quot; rel=&quot;nofollow&quot;&gt;Undercover Boss&lt;/a&gt; went out in the UK last year. More generally, it is remarkable how little &lt;em&gt;real&lt;/em&gt; work features in the cultural sphere, from drama to documentary to comedy. In the former category an honorable exception was Paul Abbott&#039;s &lt;a href=&quot;http://uk.imdb.com/title/tt0243183/&quot; rel=&quot;nofollow&quot;&gt;Clocking Off&lt;/a&gt;. In the latter category The Office which was at least about white collar work.</description>
		<content:encoded><![CDATA[<p>It seems some version of <a href="http://www.channel4.com/programmes/undercover-boss/" rel="nofollow">Undercover Boss</a> went out in the UK last year. More generally, it is remarkable how little <em>real</em> work features in the cultural sphere, from drama to documentary to comedy. In the former category an honorable exception was Paul Abbott&#8217;s <a href="http://uk.imdb.com/title/tt0243183/" rel="nofollow">Clocking Off</a>. In the latter category The Office which was at least about white collar work.</p>
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